Digital and Exhibition Qualifying Projects (QPs)

The archives holds the electronic portions of Digital Qualifying Projects and Exhibition Qualifying Projects (QPs) submitted by graduating MA students (while the library holds all non-electronic components of these projects, as well as ALL print-only theses, QPs, and dissertations). QPs may be viewed in-person by appointment only at the Bard Graduate Center Library.

Digital QPs:

• Making connections : visualizations of American telephony, 1900-1949, Caitlin Dover, 2012
• "Enshrining gems of fashion" a case study of John Genin's mid-nineteenth century strategies of commercial display, Clara Boesch, 2016
• A history of trash in sight, Jaime Ding, 2018

Exhibition QPs:

• The ornament of nineteenth-century Athens, Cassandra Celestin, 2018
• American fashion with an Eastern twist : an exhibition of modern fabrics in retrospect, Pallavi Patke, 2018
• Statement jewelry, 1887 BCE - present : a view from the jeweler's bench, Sasha Nixon, 2018
• Fashioning the Northwest coast : 200 years of indigenous dress, Laura Allen, 2019
• Plush : wall-to-wall liberation, Sophie Swanson, 2019
• Buttons to banners : the material culture of museum marketing, Taryn Clary, 2019
• The lives of Berenike : a port city and its people, Constantine Sidamon-Eristoff, 2021
• Seafaring treasures : Latin America and the Transpacific tradeJuliana Fagua Arias, 2021
• Perfumed air and scented bodies : materializing the philosophy of scent in sixteenth-century Padua, Madison Clyburn, 2021
• Challenging the status quo: unsettling dominant narratives in MoMA's gallery 412, Kristin McCool, 2022
• a satin scarf, and its many uses, mary adeogun, 2022
• A Seat at the Table: The Dining Table in Black Art & Design 1850-2022, Mackensie Griffin, 2024
• Drinks and Desire: Coffee Culture in Early Modern Europe, Robert Hewis, 2024
• Recovering the Design of Noémi Pernessin Raymond, Irène Berthezène, 2024