promotional materials

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Records of the 1994 Bard Graduate Center exhibition Objects of Everyday Life: Cast Iron from Central Europe, 1800-1850. The files document the exhibition planning, objects, catalog, and publicity.

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Records of the 2011 Bard Graduate Center exhibition Hats: An Anthology by Stephen Jones. The files document the exhibition planning, objects, installation, publicity, and programming.

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Records of the 1998 Bard Graduate Center exhibition India: A Jewelry Spectrum curated by Oppi Untracht. The files document the development, coordination, research prior to the exhibition, loan objects, and interpretive content of the exhibition.

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Records of the 2011 Bard Graduate Center exhibition Knoll Textiles, 1945-2010, curated by Earl Martin, Paul Makovsky, Angela Völker, and Susan Ward. Records document the development, design, planning, loan objects, research, public programming, and publicity of the exhibition and its accompanying catalogue.

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Records of the 2003 Bard Graduate Center exhibition Marimekko: Fabrics, Fashion, Architecture, curated by Marianne Av. The files document the development, coordination, research, loan objects, and interpretive content of the exhibition and its accompanying catalogue.

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Records of the 2011 Bard Graduate Center exhibition Objects of Exchange: Social and Material Transformation on the Late Nineteenth-Century Northwest Coast, curated by Aaron Glass in collaboration with students in the Fall 2009 seminar, “The Social Lives of Things: The Anthropology of Art and Material Culture.” Records document the development, planning, loan objects, research, and accompanying catalogue of the exhibition.

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Records of the 1996 Bard Graduate Center exhibition The Brilliance of Swedish Glass, 1918-1939: An Alliance of Art and Industry, curated by Gunnel Holmer, Derek Ostergard, and Nina Stritzler-Levine. Records pertain to the exhibition catalogue, development, correspondence, and visual material related to the presentation and objects of the exhibition.

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Records of the 1997 Bard Graduate Center exhibition The Sevres Porcelain Manufactory: Alexandre Brongniart and the Triumph of Art and Innovation, 1800-1847. The files document the development, coordination, research, and interpretive content of the exhibition.

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Records of the 2022-23 exhibition Threads of Power: Lace from the Textilmuseum St. Gallen, organized by Bard Graduate Center (New York) and the Textilmuseum St. Gallen (Switzerland). The files document the curatorial research, planning, loan selections, related programming, and interpretive content of the exhibition and its accompanying catalogue.

Abstract Records of the 2000 Bard Graduate Center exhibition Women Designers in the USA, 1900-2000: Diversity and Difference, curated by Dr. Pat Kirkham. The exhibition and its accompanying catalog were the culmination of a landmark project for Bard Graduate Center which aimed to revise and augment the story of women designers in the United States in the 20th century. Among the records are a series of research files (mostly brief) on both individuals and firms, as...