exhibition catalogs

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Records of the 1993 Bard Graduate Center exhibition Along the Royal Road Berlin and Potsdam in KPM Porcelain and Painting 1815-1848, curated by Winfried Baer and Ilse Baer. Records pertain to the production and development of the exhibition catalogue and object lists.

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Records of the 1994 Bard Graduate Center exhibition Objects of Everyday Life: Cast Iron from Central Europe, 1800-1850. The files document the exhibition planning, objects, catalog, and publicity.

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Records of the 2011 Bard Graduate Center exhibition Hats: An Anthology by Stephen Jones. The files document the exhibition planning, objects, installation, publicity, and programming.

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Records of the 1998 Bard Graduate Center exhibition India: A Jewelry Spectrum curated by Oppi Untracht. The files document the development, coordination, research prior to the exhibition, loan objects, and interpretive content of the exhibition.

Abstract Records of the 2017-2018 exhibition John Lockwood Kipling: Arts & Crafts in the Punjab and London, organized by Bard Graduate Center (New York) and the Victoria and Albert Museum (London). Records document the research, planning, object selection, programming, and content of the exhibition and its accompanying catalogue. The Research series in particular contains an extensive gathering of notes and reproductions on Kipling-related material primarily from...

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Records of the 2011 Bard Graduate Center exhibition Knoll Textiles, 1945-2010, curated by Earl Martin, Paul Makovsky, Angela Völker, and Susan Ward. Records document the development, design, planning, loan objects, research, public programming, and publicity of the exhibition and its accompanying catalogue.

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Records of the 2003 Bard Graduate Center exhibition Marimekko: Fabrics, Fashion, Architecture, curated by Marianne Av. The files document the development, coordination, research, loan objects, and interpretive content of the exhibition and its accompanying catalogue.

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Records of the 2011 Bard Graduate Center exhibition Objects of Exchange: Social and Material Transformation on the Late Nineteenth-Century Northwest Coast, curated by Aaron Glass in collaboration with students in the Fall 2009 seminar, “The Social Lives of Things: The Anthropology of Art and Material Culture.” Records document the development, planning, loan objects, research, and accompanying catalogue of the exhibition.

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Records of the 1996 Bard Graduate Center exhibition The Brilliance of Swedish Glass, 1918-1939: An Alliance of Art and Industry, curated by Gunnel Holmer, Derek Ostergard, and Nina Stritzler-Levine. Records pertain to the exhibition catalogue, development, correspondence, and visual material related to the presentation and objects of the exhibition.

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Records of the 1997 Bard Graduate Center exhibition The Sevres Porcelain Manufactory: Alexandre Brongniart and the Triumph of Art and Innovation, 1800-1847. The files document the development, coordination, research, and interpretive content of the exhibition.