exhibition catalogs

Abstract

Records of the 1993 Bard Graduate Center exhibition Along the Royal Road Berlin and Potsdam in KPM Porcelain and Painting 1815-1848, curated by Winfried Baer and Ilse Baer. Records pertain to the production and development of the exhibition catalogue and object lists.

Abstract

Records of the 2011 Bard Graduate Center exhibition Knoll Textiles, 1945-2010, curated by Earl Martin, Paul Makovsky, Angela Völker, and Susan Ward. Records document the development, design, planning, loan objects, research, public programming, and publicity of the exhibition and its accompanying catalogue.

Abstract

Records of the 2011 Bard Graduate Center exhibition Objects of Exchange: Social and Material Transformation on the Late Nineteenth-Century Northwest Coast, curated by Aaron Glass in collaboration with students in the Fall 2009 seminar, “The Social Lives of Things: The Anthropology of Art and Material Culture.” Records document the development, planning, loan objects, research, and accompanying catalogue of the exhibition.

Abstract

Records of the 1996 Bard Graduate Center exhibition The Brilliance of Swedish Glass, 1918-1939: An Alliance of Art and Industry, curated by Gunnel Holmer, Derek Ostergard, and Nina Stritzler-Levine. Records pertain to the exhibition catalogue, development, correspondence, and visual material related to the presentation and objects of the exhibition.

Abstract

Records of the 2022-23 exhibition Threads of Power: Lace from the Textilmuseum St. Gallen, organized by Bard Graduate Center (New York) and the Textilmuseum St. Gallen (Switzerland). The files document the curatorial research, planning, loan selections, related programming, and interpretive content of the exhibition and its accompanying catalogue.

Abstract Records of the 2000 Bard Graduate Center exhibition Women Designers in the USA, 1900-2000: Diversity and Difference, curated by Dr. Pat Kirkham. The exhibition and its accompanying catalog were the culmination of a landmark project for Bard Graduate Center which aimed to revise and augment the story of women designers in the United States in the 20th century. Among the records are a series of research files (mostly brief) on both individuals and firms, as...